As promised, the annual "youth art 100", one of the most anticipated art exhibitions i£n Beijing, will open on September 12, 2019 at the guardian art center on Septembe©r 6, 2019. As an old friend of ours, China Exhibition Union has theγ honor to cooperate with the organizer again to provide± transportation and presentation services for this exhibi✔tion. Although the intense summer is drawing to a close, the art atmosphere has nλot gone away. Let's share some behind-the-scenes work of th"e exhibition to kick off the fall of the art.
The exhibition hall on the ground floor
This exhibition will exhibit more than 600 works of art from 130 young artists fr♥om different countries around the world. The exhibited works cover oil painting, Traditional δChinese painting, printmaking, sculpture, installation, video, behavior, new media art and other di fferent art categories, presenting the most vivid ecβology of youth art in a comprehensive and three-dimensional waγy.
01
Preparing
Unpacking
In order to make the exhibits enter the exhibition quickly and efficiently and ensuφre the smooth development of the following exhibition arrangement wαork, our exhibition arrangement team coordinates with on-site staf≠f, plans the process in advance and clearly defines the divis₹ion of labor, so as to successfully complete the enφtry work while ensuring the safety of exhibits.
Installation
Placed on the wall
02
In order to avoid duplication of work, all exhibits have been div☆ided and placed in the corresponding booth when entering the exhibition hall. All our exhibi→tion arrangement masters work in a group of 2-3 to complete the work on the wall. The ♦tacit understanding between colleagues is reflected incisively and vividly at this time . There is no need for excessive words between each other, aπnd each step is perfectly connected. Team fit and respect is one of our∑ tenets. For us, it is also an indispensable factor for the development and progress o✔f the company.
Exhibits on the wall operation
The altitude of 15 meters is also poised for the master's courage
03
Details Arrange
The more simple and basic the work, the stronger concentration¥ and patience are often required. In order to achieve φthe best display effect of the exhibits, our exhibition arrange ment masters take pains to adjust the details, just to bring the ultimate viewing experience to the audience.
UP/DOWN is an "unstable" dynamic, which makes those at the bott™om struggle and walk on the top. The tension between the top an₩d the bottom Outlines the outline of the world and collision with bright colors,¶ thus making the original dull and monotonous flow and brightness≤.
-- William Pang, director of Young Arts 100
UP/DOWN is an "unstable" dynamic, which makes those at ♦the bottom struggle and walk on the top. The tension between the top and the bottoδm Outlines the outline of the world and collision with≥ bright colors, thus making the original dull and monotonous flow and brightness.
-- William Pang, director of Young Arts 100
Installation